Enciende La Luz

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1. Los Golpes Fuertes: Maria Enciende La Luz

I’ve been really busy with work over the last few weeks, but I am totally looking forward to some free time and possible travel at the end of the month. So if I am getting lazy on this blog, you’ll know why (I still manage to drop super rare and funky Latin cuts mind you)

The only thing you need to know about this 45 is that it was made by Los Golpes Fuertes (The Hard Blows), the song is called “Maria Enciende La Luz” (Maria turn on the fucking lights yo), and that the song heats up around 1:30 into it.

Los Casmeños

Los Casmenos1. Los Casmeños: Boogaloo

2. Los Casmeños: Casma

Don’t know too much about these dudes except for the fact that Enrique Delgado happened to have written some of the songs. I’m not even certain if he plays guitar on this album. The person who sold it to me indicated that it was pre-Los Destellos (peep my prior post about them). But from the look and sound of the record, it would be safe to say that it was produced around the same time. Casmeño is a person from the Casma region of Peru. Tried searching for more info on this band, but nothing else turned up. Looks like this is there only one on the super rare Futuro label.

Ojo: Part II

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This Thursday July 2nd 2009 at MOCA Grand Ave. Los Angeles, CA

For Flesh Car Crash, members of OJO will split into two groups, each of which will pack into a small car. Once there, they will make music both by utilizing objects and materials in the cars’ interiors and by playing instruments powered by the cars’ batteries. The cars will dance, glide, and narrowly miss each other in a choreographed game of chicken. The finale should be explosive!

The performance begins at 7:30pm. Bring your cameras and contribute your photographs and videos documenting the event to moca.org/party. Thats www.moca.org/party for interactive OJO. 

I may just have to buy a plane ticket.

Los Destellos

Los Destellos

1. Los Destellos: Descarga Electrica

Under the direction of lead guitarist Enrique Delgado, Los Destellos (the sparkles, like a star) are pretty much known as the founders of Cumbia Peruana circa 1966. Now I am pretty sceptical about using the word chicha to define their genre of music.  I feel that chicha is more associated with 70’s and 80’s transient Andean cumbia, a music that is probably rooted more in Amerindian sounds, beliefs and the harshness of the Amerindian experience (hardship, displacement, lament). Whether they influenced the chicha movement later on or became part of it by default, I’m not 100% sure.  However, Los Destellos appear to be more part of the Lima Mestizo culture (mixture of Indian/Spanish blood). And can be reflected in the way which their sounds fuse Latin boogaloo, psychedelic rock, soul, Colombian cumbia, tropical and indigenous music in a whole host of ways. 

En Orbita

2. Los Destellos: Cumbia Morena

3. Los Destellos: Boogaloo De Los Destellos

Charangos(Andean mandolins), requintos, and guitars are a huge part of Peruvian musical culture. Tavern life is filled with them supposedly.  So any transition to a modern sound would probably have been seem-less for a group like the guitar laden Destellos. And Peruvian music at this time seems to really embrace the electric guitar. The Cumbia Morenais a great example of them playing a traditional Colombian cumbia with this more electric sound. Whereas, the Boogaloo De Los Destellos almost sounds like a Latin version of the American psychedelic rock band The Byrds. With an electric 12 string and the highly melodic guitar playing, it reminded me instantly of Roger Mcguinn’s style.   

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4. Los Destellos: Me Resignare

The albums I’m posting are in order by catalogue number. I have a few other LP’s that should be in this group, but I have seemed to have misplaced them. Maybe I’ll amend this post if I ever find them. But for the most part this is pretty good discography and I am trying to run the entire gamut of sounds Los Detellos produced. On a side note I know that from looking at some of the musicians in the band that they show up in other groups on the Odeon/Iempsa label. The dude playing the bongos is in Los Orientales De Paramonga. Perhaps they were session musicians at the time.

en la cumbre

5. Los Destellos: Carnaval De Arequipa

6. Los Destellos: Boogaloo Del Perro

Arequipa is a the second largest city in Peru and is way up in the Andean Mountains. This song is a pretty traditional number. You’re probably more likely to hear this tune being played by Andean pan-pipe and poncho musicians. Definitely on the chicha tip this one.

 

7. Los Destellos: Noche De GaruaArrollando

Garuais the dry winds that hit the lower western slopes of the Andes creating a low-level of cloud. Within the Andes Mountains the garua blocks out the sun for the cooler six months of the year, and there is almost no rainfall during this period. With the title, this instrumental song sounds almost like something the Ventures would do. Surf/garage music was pretty big in Peru in the early 60’s. Groups like Los Saicos, Los Shains, Los Yorks, Los Doltons are to name a few.

clase aparte

8. Los Destellos: El Pacifico

9. Los Destellos: El Electrico

10: Los Destellos: La Cumbia Del Sol

11. Los Destellos: Tu Donde Estas

Hands down my all time favorite record of Los Destellos. In fact, I like it so much I began to eat to lower right hand corner of the album cover. Peep the break beat ballad Tu Donde Estas (where are you?), it’s a hip-hop track waiting to be copped. 

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12. Los Destellos: Constelacion

13. Los Destellos: Pachanga Espanola

I probably have 3 more Los Destellos  records, but like always, their later stuff just isn’t as good. Apparently Los Destellos had a resurgence of popularity in the 80’s that lasted until Enrique Delgado died in the early 90’s. The band still performs today, but I believe it’s the widowed wife of Enrique who runs the band now. If I find any more records of theirs, I’ll amend the post. Also, thanks to all the Japanese viewers as of late who have been vibing this site. Word!

Carlos Canzani y La Nueva Canción

1. Carlos Canzani: Aguaraguacarloscanzani

2. Carlos Canzani: Parana

I don’t know about your town, but it seems that the San Francisco Bay Area has been sprouting up with all sorts of indie-folk, alt-folk, and freak-folk bands over the last 10 years. The popularity of this genre tends to ebb and flow with the uncertainty of an era and the overall reflections of it’s time and space.  Look back to 1960’s South America and we can find a similar uncertianty of that epoch. Poverty, political anxiety, and an overall distrust in government are key themes that helped foster the folk music movement called the Nueva Canción (new song) in places like Chile, Argentina, and Uruguay.

Pretty amazing and obscure stuff from the Uruguayan Carlos Canzani, who later played with the popular Chilean prog/folk group Los Jaivas.  The 1974 recording of Aguaragua is probably a little bit more on the experimental side than the political Nueva Canción movement. Or maybe his lyrics just aren’t as overt on the topics of poverty, human rights, and imperialism as his peers were. Either-way, Canzani was exiled to Argentina and finally France just like most artists from that movement, some of whom met an even darker fate.

British folk influences like Nick Drake/Cat Stevens and Brazilian Tropicália are evident throughout this record. Paraná is a state/province and river in Brazil. And if I had to guess, aguaragua is a nonsensical word. Basically he’s stating in the song that no one can tell him what he can or cannot say, even if it makes no sense.  Carlos Canzani is still alive today and still retains a certain global popularity. If you can find it, highly recommended record. Well made LP from start to finish.

Los Souls: The Carlos Santana Effect

Los Souls1. Los Souls: Oye Como Va

I ran into this LP today and to be quite frank with you people, I fucking hate this song. In fact, I was going to choose another tune off this album but I had a change of heart.  The reason being that one can’t deny Santana’s Latin rock cover crossover version of Oye Como Va (listen, hey what’s up?)  had a pretty big impact on thousands of crappy bands south of the border. I can’t tell you how many albums I have that shamefully try to sound like the San Francisco based Latin hippie rock group. But to be honest with you I love crossover music, so given that, I have tons of respect.  Purchased this one in Mexico City a while back.

Los Souls played in small clubs and Hotels in Mexico City’s Zona Rosa (red light district) throughout the 70’s. Some members went on to start a prog rock group, some became taxi drivers, one became a principle of an elementary school, and the drummer died in a plane crash (cause that what happens to all rock drummers). Actually I’m totally lying to you. I have no idea what this band is all about but I have the feeling I’m not far from the truth.

Cumbia Arabe

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1. Mariachi Nuevo Tecalitlán: Cumbia Arabe

I am so lucky I didn’t throw this 45 in the ”I’ll go through these 45’s later” bin. Usually when I see the word Mariachi, ill toss the 45 straight into that abyss I have created in my basement. But fortunately I saw the words Cumbia + Arabe (Arab) on it, a song which I am very familiar with.

Thanks to everyone who liked my earlier Afrosound post. It got a lot of attention and it’s one of the reasons why I am posting this 45. This song was originally written by them (Francisco Bobadillo/Afrosound) and despite being a bit more heavy on the Mariachi  orchestration, this cover tune is almost exactly like it’s original.

Tecalitlán is located in the central state of Jalisco and it is pretty much the birth place of Mariachi music. Mariachi Vargas de Tecalitlán created the sound in 1897 and after 5 generations, they still perform today. This is a really great link to see how popular South American music is/was in Mexico and how cumbia was gaining ground with regional styles at the time.

Trying to do a Los Destellos post this Sunday. Please cross your fingers.

Nueva Cumbia Argentina

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1. Princesa: Aqui Princesa (Marcela Fabian RMX)

Just got this EP in the mail today and I couldn’t be happier. Excellent selection of remixes by some emerging South American talent.

Soot records is the brainchild of New York Dj and producer Jace Clayton aka Dj /rupture.  You can listen to his radio show called  “Mudd Up!” on Wednesdays, 7-8p.m. on WFMU New Jersey/New York. And you can check him out on his blog Mudd Up! Looks like the Soot records label website isn’t up yet, but I highly anticipate any future releases.

I couldn’t find out too much info on Princesa, but the other dj’s I’m familiar with via the Bersa Discos label. To be honest with you I’m not a huge fan of reggaetón, let alone this new school of cumbiaton (cumbia/reggaetón fusion). To me it’s really hit or miss. However, this Princesa track seems to really hit me where it counts. It reminds me of the more old school Reggae en Español popularized by Central American/Panamanian artists like Nando Boom and El General. This minimal Spanish dancehall, dem bow, Shabba Ranks influenced stuff is where it’s at. There is a sick Los Destellos rmx by Sonido Martines also, which happens to be one of my favorite cumbia/psyche groups out of 60’s/70’s Peru (I’ll do an article on them soon).

Turntable Lab carries this joint and Juno in Europe. Highly recommended.

Ojo

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Ojo was founded in 2005 by visual artists Joshua Aster, Justin Cole, Eamon Ore-Giron, Chris Avitabile, Moises Medina, and Brenna Youngblood, OJO is formed around a mutual interest in experimenting with acoustic guitars, electronics, musical spontaneity, freeform improvisation, and the boundaries between audience and performer. The group uses a wide range of instruments—drum machines, basses, guitars, synthesizers, salt, cars—as well as their own bodies and those of their audience, clapping, chanting, stomping, and singing to generate sprawling improvisations.

OJO has created projects for Queen’s Nails Annex in San Francisco, Esthetics as a Second Language (available as a CD produced by James Welling), LAXART (available as an LP from laxart.org), BANK, Lizabeth Oliveria Gallery, Discos Unicornio, and A+D Museum in Los Angeles. The group has also performed at the Hammer Museum, TRUDI, and Track 16, Los Angeles, and on KXLU 88.9FM.

The first performance will be taking place @ the Museum of Contemporary Art (MOCA) this coming Thursday, June 4th. If you’re in Los Angeles at the time check them out. For more info go here:

http://www.moca.org/party/ojo_index.html

Generation Bass vs. Cumbia Siglo XX

1. Grandpamini: 2 Bit Thugs vs. Cumbia Siglo XX & Lolo Lotita & Tchico Tchicaya

I think I found my brother from another mother at the Generation Bass audio blog. From now on I’ll be following this site. Peep the Grandpamini mash-up above (but please go check them out). The mysterious Dj Roger Mas mashes-up the same song below. We were actually going to release that song 3 months ago as a 45 on our Discos Unicornio label, but we opted for another Siglo XX mix instead. Ill post it for you guys this week. WORD!!!

2. Dj Roger Mas: Roger Mas vs. Cumbia XX

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