Archive for the 'Descarga' Category

Shark Attack Con Los Tiburones

L1010354

1. Los Tiburones: La Reina Y La Cumbia

2. Los Tiburones: Descarga Tiburona

I’ve been catching some flack by some other dj’s for letting go of some of my funkier Latin numbers. And I can understand where they are coming from. I understand how some dj’s want some sort of exclusive domain over a gem they found. Maybe it’s to protect their set, I don’t know. But I don’t really care and I never have. As I see it, the music doesnt belong to me anyway and as a dj I always appreciate it when someone wants to know what you’re playing. Shit I even let people pilfer through my crate to peep all my records (as long as they dont look like they’d walk off with it). At least I have someone in the audience actually listening.

With that being said, I’m sure there will be someone in this world upset that I’m giving you this funk bomb from Colombia’s Los Tiburones (the sharks). I just got this album from Mexico and I’m really loving the blend of funk, cumbia, descarga, and gaitero music. It appears to be a commemorative record for Colombian Carnival in 1968 (most likely the Carnival of Barranquilla). A real fusion of Native, European and Afro-Colombian sounds and cultures. Which essentially is what Carnival is all about. It’s like the worlds first ever multicultural event, a party where race and class are mixed up for a time being. Pretty much a reflection of the record itself. 

The album is on the Tropical label (one of my favorites) and has the popular Aniceto Molina on accordion and Duque Palomino singing from Discos Fuentes fame.

Los Destellos

Los Destellos

1. Los Destellos: Descarga Electrica

Under the direction of lead guitarist Enrique Delgado, Los Destellos (the sparkles, like a star) are pretty much known as the founders of Cumbia Peruana circa 1966. Now I am pretty sceptical about using the word chicha to define their genre of music.  I feel that chicha is more associated with 70’s and 80’s transient Andean cumbia, a music that is probably rooted more in Amerindian sounds, beliefs and the harshness of the Amerindian experience (hardship, displacement, lament). Whether they influenced the chicha movement later on or became part of it by default, I’m not 100% sure.  However, Los Destellos appear to be more part of the Lima Mestizo culture (mixture of Indian/Spanish blood). And can be reflected in the way which their sounds fuse Latin boogaloo, psychedelic rock, soul, Colombian cumbia, tropical and indigenous music in a whole host of ways. 

En Orbita

2. Los Destellos: Cumbia Morena

3. Los Destellos: Boogaloo De Los Destellos

Charangos(Andean mandolins), requintos, and guitars are a huge part of Peruvian musical culture. Tavern life is filled with them supposedly.  So any transition to a modern sound would probably have been seem-less for a group like the guitar laden Destellos. And Peruvian music at this time seems to really embrace the electric guitar. The Cumbia Morenais a great example of them playing a traditional Colombian cumbia with this more electric sound. Whereas, the Boogaloo De Los Destellos almost sounds like a Latin version of the American psychedelic rock band The Byrds. With an electric 12 string and the highly melodic guitar playing, it reminded me instantly of Roger Mcguinn’s style.   

Mundial

4. Los Destellos: Me Resignare

The albums I’m posting are in order by catalogue number. I have a few other LP’s that should be in this group, but I have seemed to have misplaced them. Maybe I’ll amend this post if I ever find them. But for the most part this is pretty good discography and I am trying to run the entire gamut of sounds Los Detellos produced. On a side note I know that from looking at some of the musicians in the band that they show up in other groups on the Odeon/Iempsa label. The dude playing the bongos is in Los Orientales De Paramonga. Perhaps they were session musicians at the time.

en la cumbre

5. Los Destellos: Carnaval De Arequipa

6. Los Destellos: Boogaloo Del Perro

Arequipa is a the second largest city in Peru and is way up in the Andean Mountains. This song is a pretty traditional number. You’re probably more likely to hear this tune being played by Andean pan-pipe and poncho musicians. Definitely on the chicha tip this one.

 

7. Los Destellos: Noche De GaruaArrollando

Garuais the dry winds that hit the lower western slopes of the Andes creating a low-level of cloud. Within the Andes Mountains the garua blocks out the sun for the cooler six months of the year, and there is almost no rainfall during this period. With the title, this instrumental song sounds almost like something the Ventures would do. Surf/garage music was pretty big in Peru in the early 60’s. Groups like Los Saicos, Los Shains, Los Yorks, Los Doltons are to name a few.

clase aparte

8. Los Destellos: El Pacifico

9. Los Destellos: El Electrico

10: Los Destellos: La Cumbia Del Sol

11. Los Destellos: Tu Donde Estas

Hands down my all time favorite record of Los Destellos. In fact, I like it so much I began to eat to lower right hand corner of the album cover. Peep the break beat ballad Tu Donde Estas (where are you?), it’s a hip-hop track waiting to be copped. 

constelacion

12. Los Destellos: Constelacion

13. Los Destellos: Pachanga Espanola

I probably have 3 more Los Destellos  records, but like always, their later stuff just isn’t as good. Apparently Los Destellos had a resurgence of popularity in the 80’s that lasted until Enrique Delgado died in the early 90’s. The band still performs today, but I believe it’s the widowed wife of Enrique who runs the band now. If I find any more records of theirs, I’ll amend the post. Also, thanks to all the Japanese viewers as of late who have been vibing this site. Word!

Peruvian Descarga

1. Los Mozambique: Descarga Mozambique

A super rare track from the Afro Peruvian Descarga scene. The unfortunate thing is that I couldn’t find out much about this group and this is the only item of theirs which I own.  But oh man….what a killer song.

This is a far cry from Eddie Palmeri’s María Caracoles  or his LP Mozambique.  But leave it to a bunch of Peruvians to adopt a genre of music and take it into some other awesome direction. The repetition and vigor are there, but like always, performed in a much more relaxed and informal manner.

 

  

2. Los Pachas: El Hueleguiso

Whoever is reading this, you must think I’m the worst audio blogger in the world. Yet again I have absolutely no information about these guys. In fact, I researched this label years ago and I actually found the website for Dinsa. But now I can no longer find it. Man I suck.

Pretty much the only thing I can tell you is that the Peruvian artist Manzanita does a version of this song (which i’ll put up some day). And I found out what huele (smell) guiso (stew) actually means. From what I gathered from other Peruvian blogs, a hueleguiso is an uninvited guest that comes over because he smells the food that you’re cooking. It’s slang for a freeloader I suppose.  

This song is considered a boogaloo number. Like the first song, just a bunch of dope hybrid sounds from Peru.

On a side note, I’ve had more luck with Peruvian pressings than any other South American record. Not only can they be colorful and thick, but they’re super fucking loud. Anyway, I just thought I’d throw that out to all the diggers out there.

Los Zheros

1. Los Zheros: Descarga De Los Zheros

I could’nt find any info on Los Zheros (the zeros) or it’s members. I searched the inter-net, other audio blogs, even Peruvian message boards. Not one scrap of information besides the liner notes. Maybe it is an indication of how short lived the band was? Or maybe it’s just the shroud of mystery that is part of Los Zheros’ legacy?

As indicated on the back, guitarist and vocalist Chocho Alvan seems to be the band leader accompanied by his two brothers and three other band mates. Their ages range from 16 to 22 at the time this debut album was made.

There seems to be an emphasis on their academic professions and the school each member is attending. Maybe this record was a youth project of some sort? Anyway, definitely one of my favorite records from Peru. ”Cuarto Oscuro” (dark room) is a total crossbreed of cumbia, garage/rock, and descarga all done in the distinct guitar heavy Peruvian style. The rough edged quality of these songs makes for an overall awesome sound. I could care less if these guys were 16 or 60.