I just did a post on music from Peru, so I thought I’d toss this video up from artist/musician/homeboy Dj Lengua. Most the footage is taken in Peru, taken by Dj Lengua himself – and it’s really cool. I’m sure some animals were hurt in this production, but Lengua was kind enough to omit any of the bloody stuff.
I’ve been to a pelea de gallos once in Panama, and it is pretty hardcore stuff. People where acting so drunk and so fucking crazy that I thought the world was coming to an end. Anyway, cocks fighting and old ladies dancing is pretty standard stuff in Latin America. Please enjoy!
I couldn’t find much information about Grupo Mayor, but I do know that the song Te Ves Buena was written by Panamanian reggae artist Edgardo Franco, aka El General. Although reggae en español had been around for a while, El General had scored one of its first international hits with this dancehall tune. When I lived in Nicaragua in the early 90’s, this form of early reggaeton was blowing up all over Central America. There probably wasn’t one country where I didn’t hear this song or ones like it – even Banda Vallarta Show did their own banda version. On a side note, I did recall that reggae en español would only be played at house parties after the parents left or weren’t around. As insinuated by my cousins, the music may have been too risque in Nicaragua for the time – I never understood that one.
Anyway, just wanted to thank everyone who helped out with the February 45 sessions: Adam Dunbar, Marcos Juarez, Eamon Ore-Giron, Oliver Wang, Alex LaRotta, and Cameron Thompson – thanks a ton guys!!! Gonna talk a break from the site for a while, but if you need anything at all please feel free to bother me – email@example.com. Enjoy!
There probably isn’t much more I can say about Mexico City’s electro-maraduer Memo Rios. Basically he made a living ripping off 80’s techno cover songs, all the while butchering the lyrics to his own personal Chilango likings. Nevertheless, this is my third article about him, so I do give the man credit where credit is due. Even though I feel that his music is just ok – I personally respect his abstraction of this genre of music. And the more I find/listen to these recordings, the more I am convinced that Memo Rios is more conceptual artist than plagiarist. Tacos yes, sandwiches no!!!
Entry #2 in our “Exitos” mixtape series is “Acid Sonidero” by DJ Lengua, or Eamon Ore-Giron as he’s known to his parents. A DJ, producer, and artist (whose work has been exhibited frequently, including at LACMA), Eamon has bounced up and down the Americas, having lived in Peru, DF, SF, and now LA (he’s originally from Tucson). One of the founders of Club Unicornio, the late, great San Francisco monthly, he’s now one of the forces behind the always-fun Mas Exitos, which takes place the first Thursday of every month here in LA.
I met Eamon (and his rad wife and fellow artist Gina Osterloh) at a bar in Pasadena during Euro ’08, and since then I’ve watched him put on excellent solo art shows, release the killer Cruzando album (get it here), and organize great events like a screening of El Mundo de Los Pobres, the rare 1986 film that stars chicha legends Los Shapis. So it’s an honor to have such a busy person take the time out to make a mix for EPR, and “Acid Sonidero” is fantastic, a mad mix of drowsy drops, washboard rhythms, and bass for hips, ending with a sample from Dr. Dre. It’s a crazy flight through the Andes up to Mexico City, with a trip back home to California. Thank you Eamon!
To be quite honest with you, during the 80’s, I was never really a big fan of pop music. It never spoke to me. But my music preferences have evolved and still do to this day. And with the passage of time, now that my music tastes have matured, I can say that I still do not like this type of music.
What I don’t understand is that this sound is making a bit of a comeback. Remove the whole hipster neon-generation ironic thing and you are still left with music that is hit or miss. But with all negativity removed, maybe I should just take it for what it is – its ok…I suppose? I have friends from Mexico City and Tijuana who usually tend to go ape shit over this kinda stuff. So the nostalgia factor is something that I totally understand – but it’s not for me.
Besides Leo Dan, most these acts hail from Mexico, trying to cash in on some sort of new-wave music hysteria that captured the US in the mid to late 80’s. Byanka probably had the most success with her Madonna cover. It’s interesting to see that Grupo Latino even pooped out the Italo Disco favorite from La Bionda. But probably my favorite cut out of all of these 45’s is Morgan’s Que Bonita Baila (how beautiful you dance) – nice break on that. Anyway, like I said, hit or miss. Enjoy!
P.S. = Tomorrow O-Dub from Soul Sides is dropping an article. Stay tuned – the music is very very nice.