Very nice boogaloo/mod 45 from Cuban/European outfit Los Matecoco. Couldn’t find out much about the band, however most of Los Matecoco’s records are on the French Riviera or Bel Air labels (probably made a career for themselves in that hexagon shaped country). And from what I gathered, this is probably their best stuff. The gut-punching Quieres O No Quieres (do you want it or not?) is actually a Wilson Simonal cover and is ripe with all sorts of sexual innuendo. Cubans + sexually suggestive lyrics = boogaloo win. Enjoy!
Archive for the 'Boogaloo' Category
This appears on Linares’s 1973 Sensacionales! album but I didn’t catch wind of it until I picked it up on 7″ first. I’m a huge fan of Linares’s work and so I was pleased and a bit stunned to realize that, unless I’m totally off-base, this is a cover of Bobby Matos’s “Nadie Baila Como Yo” (from his seminal My Latin Soul album of the mid/late ’60s). Matos isn’t credited (not an unusual happenstance) but certainly, there’s more than enough musical and lyrical evidence to suggest that Linares basically gives Matos’s original a salsa update. It’s still not nearly as deliriously fun as Matos’s song but I do like that Linares keeps elements of the boogaloo-influenced original, especially on rhythm piano.
Great music from Peruvian pianist Alfredo Linares – I have an earlier album of his and it’s always refreshing to hear South American’s straightforward/raw approach to salsa music. Also, a great big thanks to O-dub from Soul-Sides – not only has he been a regular contributor to the February 45’s sessions, but has been a huge supporter of my site since day 1 it seems. I am forever grateful for that. For all you Latin music loving fans, be sure to check out his latest post about Jimmy Sabater also – Yroco one of my favorites. Thanks Oliver!
I’m kinda cheating because I already wrote a huge article about Los Corraloeros De Majagual. But to be quite honest with you, it’s come to the point today where I don’t even want to look at my computer anymore. But rest assured I’ve been pulling/listening to about 200+ 45’s today, mostly music I’ve only gone over once. So my next posts will consist of more dope music, I promise. Also, anticipating a few more guest posts. Enjoy!!!
It’s no secret that I have a “mild” obsession with music from Panama. What started as a love for Salsa Dura Panameña and Funk from the Isthmus has slowly branched out into a heated search for everything from Tamborito street recordings to Musica Tipica from the highlands and sugarcane-growing regions of the country. It was through these searches that I came across this great 45 on eBay: Los Alegres de la Costa “Boogaloo Darien” on Loyola Records, Panama.
The song melds together so many beautiful styles of music at once it’s hard to know where to begin with a description. It starts off with a great guitar line that sounds equal parts NYC boogaloo and American Rock n’ Roll, but before long the Cumbia rhythm comes in and the great vocalist starts to give a shout out to the Muchachas Lindas from various regional Panamanian cities. The song then switches up nicely to a “Guaracha Tipica” while the vocalist, not content with the ladies from his own country, then gives daps to all the fine females from countries across South America. The vocals and accordion are the real stars of the show here!0
The record itself looks like it has been rescued from it’s geographical namesake: the impenetrable, sogging wet jungles of the Darien Gap , the only major break in the Panamerican Highway, so thank god the info on the label is still readable. Anyway, I hope you folks enjoy this great Boogaloo Guaracha de Panama.
-Adam Dunbar aka DJ Slim Jenkins
Thanks again Mr. Dunbar!!! If you don’t know Adam already, he runs the Musica Del Alma audioblog spot. Go check out his site. Also, if you’re in the Oakland California area come check us out djing @ the Layover in Oakland on Feb 24th (Adam is a pretty dope dj aswell) – for more info, just add me on facebook @ facebook.com/josephfranko – Enjoy
So the lack of posts here at Super Sonido would probably lead one to believe that I am still on vacation. Rest assured I’ve been home for almost a month now, staring at the wall and still thinking about my vacation. December and January have always been the slowest months for me. Those are the months I usually take a vacation, escape, and wallow in some form of weird self-pity/deprecation. To make things up to you folks, to redeem myself in a fit way, I have only 4 words for you:
28 DAYS OF 45!!!
That’s right – starting February 1st I’ll do another round of a 45 a day. But I’m going to need your help this time, so if anyone out there wants a day to post your thing = it’s all yours! Email me at firstname.lastname@example.org if you need more info/help.
Anyway, some amazing infusion of Latin music from Colombia’s Los 5 De Oro. Not much was to be found about the group, but it appears that pianist Angel Macias had made a name and career for himself outside of his quintet. Nevertheless, this album is outstanding – and it really holds up to the Fania/Tico sound they were trying to capture. The B side was my favorite, which all the songs posted come from – along with a rendition of Jimmy Sabater’s “Alafia” (Colombians can’t seem to put down the accordion). Strongly recommended album from beginning to end. Enjoy!
I have to admit that when I got the PR kit from a band called Spanglish Fly, I wasn’t to enthusiastic. Maybe I was just turned off by the name or maybe I’m just leery of anything with words that contain latin, soul or bugalu – in a contemporary context that is. Anyway, I’m a horrible man who has the fucked up penchant to judge a book by its cover…and I am sorry for that.
After collecting dust in my office for the last month, I decided to set aside my one-sidedness and actually listen to the 45. And with all fairness, I was pleasantly surprised. New York City’s Spanglish Fly really pulls off that Ray Barretto Hard Hands era groove that I love so much. You’d think someone would have done this already, right? In fact, I can’t think of any other group that has tried to embrace that sound today – much like Sharon Jones did for neo soul/funk. So with that I give them credit where credit is due. I really like that they made the effort to press 45’s also – big fan of that. The track I put up is a really low quality MP3, but check out Spanglish Fly at their website and I think you’ll be able to buy their 45 at Dusty Groove soon. Enjoy…
I have this running joke with my homeboy Dj Lengua: that there is either bad Gas or good Gas. Although it might be the flatulent type of gas we are referring to, it’s most likely the Mexican record label Discos Gas. You have to buy about 50 really stinky records in order to find a gem like this.
For the most part, Orquesta Hermanos Flores’ sounds more like a Mexican party/wedding band. But some member of the group or producer had the bright idea of having them do a funky cover of the James Boy’s “The Mule” (Phil-L.A. of Soul). Check out the Funky16Corners audio blog, they seem to write extensively about the “horse” subgenre of soul/boogaloo. Also check out my other post about the funky track from Los Socios Del Ritmo which I am reminded of.
I’ll be posting other songs I have from the Discos Gas label in the future. So keep posted.
Just wanted to apologize to everyone for the lack of work I’ve been putting into this blog lately. My business has doubled this month and I’ve been extremely busy. Tonight, for your sake, I found some breathing room. I’ll probably be busy all summer, well into September. But I’ll try my hardest to get these quality sounds out to you people. Lastly, I’m going to probably keep the audio format the same, it seemed like the consensus was overwhelming. But who knows, I am always down for some change. Enjoy!